Craft
Ajmal Sabu Keeps Bethlehem Kudumba Unit’s Camera Close, Then Cuts Away
In a Cinema Express interview published September 9, the cinematographer-editor explains how tighter lenses, mapped daylight and footage from trains, highways and sets built Bethlehem Kudumba Unit’s visual grammar. The film’s result is unseen here; what follows is a report of Sabu’s stated methods and the responses published by other outlets.
Vera Lindqvist
