How films are made — the camera, the cut, the score, the design — read closely on the films that show it best.
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Nine years shooting advertisements, then a debut that made him the house eye of a certain kind of Tamil thriller. The washed-out look people remember from Kaakha Kaakha has a name and a chemical process behind it, and the award-winning one after it took two months of deciding what to remove.
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Bucking Fastard premieres in competition at Venice on September 3, with Rooney and Kate Mara as inseparable twins tunnelling through a mountain range toward a country where love is possible. Forty-four years after Fitzcarraldo, Herzog is still moving earth to measure what a person wants.
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Jeremy Strong says he contacted Mark Zuckerberg before playing him in The Social Reckoning. His promise to approach the role with respect raises a sharper question: what does accuracy owe a living, powerful subject?
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Parker Finn’s remake of Andrzej Żuławski’s Possession, starring Margaret Qualley and Callum Turner, is headed to theaters in summer 2027. A release slot built for scale will test whether the film’s ferocious intimacy can survive becoming an event.
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Anya Taylor-Joy says the crash stunt was fun. Drew Starkey says the beach run ended with a real officer asking where the cameras were.
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