How films are made — the camera, the cut, the score, the design — read closely on the films that show it best.
13 published · newest first
From CalArts to Sydney’s NIDA, leading programs pair hand construction with virtual production and gaming. Britain’s NFTS is adding a two-year course with Angels Costumes in January 2027, widening the field for screen designers.
Vera Lindqvist
In a Cinema Express interview published September 9, the cinematographer-editor explains how tighter lenses, mapped daylight and footage from trains, highways and sets built Bethlehem Kudumba Unit’s visual grammar. The film’s result is unseen here; what follows is a report of Sabu’s stated methods and the responses published by other outlets.
Vera Lindqvist
At 94, John Williams returned to a public podium on Sept. 4 and 5, leading the Los Angeles Philharmonic through “The Imperial March” during a tribute concert built around his film music. The appearance changed the shape of the event: an evening honoring a composer became a live demonstration of how a baton can turn recorded memory into a present-tense image.
Vera Lindqvist
Variety reported on June 2, 2026, that Kris Bowers and Michael Dean Parsons split the music for Amazon Prime’s eight-episode Spider-Noir, which runs to about four and a half hours of score. The show remains unseen; what the report fixes is the method, from noir-era study to electric guitar, jazz piano and altered studio noise.
Vera Lindqvist
Sting is set to narrate a new documentary on Nino Rota, Walter Fasano’s film on the composer behind The Godfather and Fellini’s great run. The special screening at Venice points to a portrait built less as biography than as a room for music to keep sounding.
Vera Lindqvist
The Sinners cinematographer made Academy history, but the more revealing story is how she and Ryan Coogler used large-format film for fear, intimacy and a sunset chase.
CinePixo
Christopher Nolan asked for a score without orchestra, and Ludwig Göransson answered with ancient Greek instruments, 35 bronze gongs, scrap metal and voice. The result sounds less like prestige wallpaper than a film trying to hear its own century from very far away.
CinePixo
The Odyssey made rare 70mm IMAX projectors the hottest seats in town and then reminded audiences what those seats depend on. Dune: Part Three is now booking many of the same fragile machines.
CinePixo
Nine years shooting advertisements, then a debut that made him the house eye of a certain kind of Tamil thriller. The washed-out look people remember from Kaakha Kaakha has a name and a chemical process behind it, and the award-winning one after it took two months of deciding what to remove.
CinePixo
Bucking Fastard premieres in competition at Venice on September 3, with Rooney and Kate Mara as inseparable twins tunnelling through a mountain range toward a country where love is possible. Forty-four years after Fitzcarraldo, Herzog is still moving earth to measure what a person wants.
CinePixo
Jeremy Strong says he contacted Mark Zuckerberg before playing him in The Social Reckoning. His promise to approach the role with respect raises a sharper question: what does accuracy owe a living, powerful subject?
CinePixo
Parker Finn’s remake of Andrzej Żuławski’s Possession, starring Margaret Qualley and Callum Turner, is headed to theaters in summer 2027. A release slot built for scale will test whether the film’s ferocious intimacy can survive becoming an event.
CinePixo
Anya Taylor-Joy says the crash stunt was fun. Drew Starkey says the beach run ended with a real officer asking where the cameras were.
CinePixo
